Carry one face through a clip so a catalogue stays one performer. Listed at 31 credits, with a suitability guide.
Priced by clip length and resolution, shown before you confirm. Failed jobs refund automatically.
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The video face swap holds your traveller’s face steady through a clip, frame after frame, so footage made at different times and different anchorages still stars the same woman. It is the still swap extended across open water: bring existing clips onto your character, or rescue a strong piece of movement whose face drifted off record somewhere mid-leg. On the pricing table the video_face_swap job is listed at 31 credits, and where a job is calculated by clip length and resolution the exact figure is shown on the job before you confirm. A failed job refunds itself.
Motion is an honest inspector. A swap that looks settled in a still can come apart at a turn of the head, a pass through profile, or the moment the light changes as she crosses a cabin. That is why this tool is judged on whole clips, never on first frames — and why short, steady footage with honest geometry crosses so much better than fast-cut material shot in changing light.
The clean, front, evenly lit portrait you keep for stills. One passport for both formats is the whole system; there is no second secret stowed elsewhere.
Faces near the front. Light that stays. Nothing crossing the face. Extreme angles and rapid cutting are where swaps strain and show it.
Not the first second — the whole leg. Swaps fail at turns, at profile passes, at the moment the light changes. Judge exactly there.
Clips made in different cabins and different months, re-cast so the catalogue reads as one woman’s work from first port to last.
A scenario briefed once and shot plainly becomes your traveller’s scene once the carrying is done.
When the performance holds and only the face is wrong, repair the cheaper half of the problem instead of re-sailing the clip.
“A single steady shot, subject facing camera to three-quarter, one soft light held throughout, face clear for the full length of the clip.”
Steadiness is the entry requirement. A calm clip gives the swap nothing to chase, so the face can simply stay where it belongs.
“Fast cuts between angles, long passages in profile, strobing club light, hair and hands repeatedly crossing the face.”
Every strain on the list is a place the swap can break mid-leg. Shorten the clip or choose calmer water before spending the fare.
| Trait | Holds well | Strains the swap |
|---|---|---|
| Face angle | Frontal to three-quarter | Long passages in profile |
| Camera | Still, or moving slowly | Whip pans, heavy shake |
| Light | One light, held through the clip | Strobe, hard cuts between setups |
| Obstruction | The face clear | Hair, hands or props crossing it |
Your own face, or a fictional character’s, set onto footage you own or hold documented consent to transform. Real third parties without consent are prohibited.
The pricing table lists video face swap at 31 credits on the video_face_swap model; where a job is calculated by length and resolution, the exact figure is shown before you confirm. Failed jobs refund automatically.
At a profile turn, a change of light, or something crossing the face. Short, steady clips hold best; judge the joins before anything ships.
Yes — the same file. One passport across stills and video is what keeps a traveller identical in both, at anchor and under way.
No. Sources, clips and results rest private in your account for the whole crossing.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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