Landfall-step upscaling for covers, store measures and print. Detail rebuilt at delivery size, originals kept, 61 credits a job.
Per-job credit pricing is shown before you confirm. The original is always kept.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
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Frames are made at a working size, the way a ship is loaded for the crossing rather than for the harbour wall. Some destinations ask for more — a storefront’s minimum dimensions, a cover displayed large, a print that will be looked at closely. The image upscaler rebuilds a finished frame at higher resolution, reconstructing detail rather than merely stretching what is there. It runs on the image_upscaler model at 61 credits a job, shown before you confirm. It is a landfall step: applied to keepers, at the end of the voyage, and to nothing else.
Upscaling cannot rescue a frame that failed earlier in the crossing. A wrong face stays wrong at any size; poor light simply becomes larger poor light. What the step does honestly is give a sound frame the dimensions a destination demands — edges, fabric and hair rebuilt crisply enough that a cover or a print holds up under the close inspection it will actually receive.
Edits, swaps and grading are done at working size, where every change is cheap and every mistake is still small enough to forgive.
One pass over the delivery candidate. Judge the result at full size, not as a thumbnail — the thumbnail forgives everything, including what the harbour will not.
The working file and the delivery file rest side by side. Platforms change their measures; your masters should not have to re-sail because of it.
Heroes and pack fronts are looked at closely. They have earned the finishing pass; ordinary feed thumbnails have not.
Marketplaces with minimum dimensions receive files that pass plainly, without padding, tricks or quiet upscaling of a weak source.
Posters and merchandise punish small files. Upscale the specific frames you sell in print, and only those frames.
“The pack cover: on record, correctly lit, already edited and graded, needing only the storefront’s minimum dimensions to go on sale.”
Every earlier leg is complete. Upscaling here buys exactly one thing — size — and size is exactly what this frame is missing.
“A mid-series frame with a slightly drifting face and flat light that the editor has not seen.”
Send it below deck first. The editor charges 21 credits to fix what 61 credits of upscaling would only enlarge.
| It does well | It cannot repair |
|---|---|
| Crispens edges, fabric and hair | A face that was wrong at working size |
| Meets a storefront’s minimum dimensions | Compression damage already baked into a source |
| Lets large previews and covers hold | Composition or light — those are the editor’s work, earlier |
61 credits per job on the image_upscaler model, shown before you confirm. It is a landfall cost — spend it on keepers only.
No. The upscaled file is a delivery version. The working file rests as it was, ready for the next leg.
It sharpens what exists. It does not repair a wrong face, wrong hands or wrong light. Those are fixed earlier, with the editor.
Covers, heroes, store files with dimension minimums, and anything sold in print. Ordinary feed frames rarely repay the fare.
To the destination’s measure, and no further. Beyond it, credits and storage buy nothing visible at the harbour wall.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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