Landfall-step video upscaling for paid tiers and masters. Listed at 101 credits, exact figure shown before you confirm.
Priced by duration and target resolution, shown before you confirm. Failed jobs refund automatically.
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The video upscaler takes a finished clip to a higher resolution, rebuilding detail frame by frame, so work made at a working size can meet the measure of a storefront or a large placement waiting at landfall. It runs on the video_upscaler model, listed at 101 credits on the pricing table, with the exact figure for a job shown before you confirm; where duration and target resolution set the calculation, that calculation is printed on the job itself. Failure refunds itself. Like its still counterpart, it is the end of the voyage, never a rescue attempted mid-ocean.
A clip earns this step the way a frame does: by being finished. Casting, cuts and grade are settled at working resolution first, where changing your mind is still cheap. Only the locked cut is upscaled, once, to the measure the destination actually requires — because every minute of footage and every step of resolution is water the fare has to cross.
Casting, cuts and grade are final at working resolution, where the crossing is still cheap enough to change course.
Aim at the destination’s actual requirement. Beyond it lies cost without visibility, and this studio does not buy invisibility.
Faces and the edges of motion, across the whole clip — especially at turns and at changes of light, where weakness shows first.
A placement that advertises high definition receives a file that honestly meets the word, at the size the tier promises.
A teaser performing beyond the rest of the catalogue earns a delivery pass for larger placements at the next port.
A high-resolution master of the flagship scenes, kept while the working catalogue stays lean for the crossing.
“The locked store cut: casting settled, grade final, destined for a paid tier whose measure the working file does not meet.”
Nothing about this clip will change after the step runs. That finality is precisely what the fare is buying.
“The rushes of a scene still being recut, including takes that will never reach the store.”
Upscaling rushes pays delivery fares for footage headed for the cutting floor. Lock the cut; then upscale the cut, once.
| Lever | Effect | Practice |
|---|---|---|
| Duration | Longer clips cost more | Upscale the shipped cut, never the rushes |
| Target resolution | Higher costs more | Match the placement’s measure exactly |
| Timing | The fare is the same whenever it runs | Run it last, when nothing else will change |
The pricing table lists video upscaling at 101 credits on the video_upscaler model; where duration and target resolution set a job’s figure, it is shown before you confirm. Failed jobs refund automatically.
No. It raises resolution. It does not raise the quality of a performance, a casting or a light. Those are settled earlier, at working size.
No. Teasers and ordinary feed clips rarely repay it. Keep it for paid tiers, for winners, and for masters.
No. It produces a delivery version that rests beside the working file in your account.
Faces and motion edges at full size, across the whole clip — at turns and changes of light above all.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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