Text-to-video and image-to-video that begin from your stills. One movement per leg; price by duration and resolution, shown before you confirm.
Video is priced by duration and resolution. The exact credit cost is calculated on the job and shown before you confirm; failed jobs refund automatically.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
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Video is the most expensive water on the route, so it is crossed deliberately rather than wandered. The reliable order of passage is this: a still first — on record, already judged at anchor — and then one movement laid over it for the leg out. Or, for a scene that exists at no port yet, a text brief carrying the same passenger record as your stills, so the woman who boards the clip is the woman already travelling in the series. Pricing follows duration and resolution, is calculated on the job itself, and is shown in full before you confirm the leg. A render that fails refunds its fare on its own.
What the still decides, the clip inherits: the face, the dress, the room, the light. That inheritance is why keyframe-first work stays on character while pure text briefs so often return with a stranger at the helm. Treat every clip as one leg of the crossing — a single stretch of water, a single movement, a known destination — and the footage will sit beside your stills as if the whole series sailed on one ship.
Image-to-video inherits the woman, the wardrobe and the setting from the first frame. It is the cheapest consistency on the route and the calmest way to cross.
A turn toward the window light. A slow walk across the cabin. One movement, camera held steady. Choreography smears in render; a single gesture crosses clean and loops well.
Decide where the clip will live before rendering it. A teaser and a store piece are different measures, and rendering the maximum of everything is how a travel budget quietly doubles mid-ocean.
The strongest frame of the week, given a few seconds of life, to draw a viewer toward the full set waiting in port.
One clean repeating gesture that reads at thumbnail size and survives a platform’s compression without falling apart.
Longer takes briefed from the same passenger record as the stills they sit beside, so nothing in the catalogue feels cast twice.
“She turns slowly toward the window and the moonlight on the water, hair shifting a little with the turn, camera still.”
One movement for the subject, none for the camera. The first frame already decided everything else, so the brief only directs the motion of this leg.
“Fictional 34-year-old woman, chestnut-brown hair in a high loose bun, deep violet satin robe, crossing a quiet first-class cabin toward camera at night, ocean darkness beyond the windows, unhurried, cinematic.”
The passenger record travels into the clip brief unchanged, so the woman in motion is the woman in the stills — same ship, same crossing.
| Lever | Effect on price | Practice |
|---|---|---|
| Duration | Longer costs more | A teaser rarely needs more than a few seconds of open water |
| Resolution | Higher costs more | Render at the destination’s measure; upscale a winner later |
| Retries | Each render is a job | Correct the brief or the first frame before rendering again |
By duration and resolution, calculated on the job and shown before you confirm. Nothing is charged in the dark, and a failed render refunds its fare automatically.
Image-to-video for series work — the first frame carries the passenger with it. Text-to-video suits standalone scenes and first experiments at a new port.
Yes, by two habits: begin from series stills, and carry the passenger record into text briefs word for word, exactly as it stands on the manifest.
Usually too much is asked of one leg — several movements, a travelling camera, a crowded cabin. One movement, a still camera, an uncluttered space: that is the pattern that holds.
No. Clips rest in your account until you publish or download them. Nothing is posted on your behalf at any port.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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